Sunday, December 18, 2011

"Five-Point-Five!"


'Five-point-five' has become my favorite number. Prior to that, it was 'two', signifying the position I was given by the Dean of my pledge line shortly before becoming a full member of Beta Phi Pi Fraternity, Incorporated over twenty years ago. But as I mentioned, that has all changed, and as much as I love my Fraternity, this new 'favorite' holds a deeper significance in my life; one that goes beyond my t-shirt/jacket wearing days as an undergraduate on the campus of the University of Illinois.

'Five-point-five' represents the number of years it took to go from being a transfer student at SUNY Empire State College to completing my MFA studies at CCNY. While some might say that's a relatively short period of time, I would counter that besides obtaining two degrees and growing as an artist, I also put to rest a number of old ghosts that had followed me since my teenage years. While getting a college degree was always a personal goal, the 'how' and 'what' part of this odyssey was always in question. A situation from my past led me to having to pay out of pocket for my education. That same situation also altered my course of study. I've long known I liked writing stories, but certain "influences" once selfishly advised that "black people don't make money as writers." Whether that was true or not was irrelevant to me at the time, and some today would question whether that advice was sound or was given to purposely sway my attention into another direction. Regardless, I ignored my interests because of these influences. I was a decent student, but could have been better had I made my own choices. And since I was fitting the bill, I should have negated those influences and gone my own way. Unfortunately I didn't follow my heart and ended up dropping out of college.

My odyssey took me away from my beloved hometown, to three different cities in two different states where I eventually landed in New York. A job loss is what brought me to a major crossroad in my life and caused me to ask some difficult questions: do I continue along the same road of working in an industry that didn't fulfill my spiritual and emotional needs or should I venture down a new path - one of uncertainty and challenge, but the opportunity to realize some long-deferred dreams? With the encouragement of two very special people in my life, as well as a timely (and unexpected) bit of assistance from a former love, the year 2006 became a year of change. I went from being an outsider of my own true self to a participator in the fulfillment of it.

From the day all of this began I was a catalyst in my own personal renaissance, watching myself being rebuilt piece-by-piece. The 'skeleton' of my new self was complete in June of 2008 at the Jacob Javits Center in Manhattan when I walked across the stage as a college graduate. The 'flesh' began to attached itself a few months later and has gradually been added until five and a half years later the total embodiment of the 'new me' became ready to take on new challenges, successes and defeats, all in the name of my artistry. Next to the Grand City of Chicago, writing is what allows me to spread all the love my heart desires and represents the missing part of my life that has finally been realized. Because I have been blessed to find my passion, I will strive to not only become a better writer, but a better friend and companion to anyone who needs/wants me in their life. The influences who dominated my former aseptic life are gone. The dawn of a new day started four days ago when I completed my last class and brought an end to five-point-five years of restructuring, of the shedding of old skin, of relieving worn-out suitcases filled with rocks, so the load I carry along my personal Emmaus Road becomes lighter.

I needed a new life and it was time. Confucius once said: "Choose a job you love, and you will never have to work a day in your life." I have chosen wisely. And because I have, the life I lead today has become something special. Something new.

Everybody needs a new life once in a while.

Sunday, December 4, 2011

"Balloons" by David T. Boyd on Zombie Coffee Press

Tomorrow is the day! The author introductions are currently live on the Zombie Coffee Press website.

Enjoy,
Dave

Tuesday, November 29, 2011

"Lux" is finally done!

Last night, after three years and eight months of hard work that began on Block Island, RI, I finished the third and final draft of my novel "Lux ex Tenebris." I can't believe how far I've come with this book and never in my wildest dreams did I think it would develop into a 350 page, 90,000 body of work. During the course of my entire graduate school experience I have slaved over it, month after month, taking it through four fiction/novel workshops at City College, slaving over re-writes and agonizing sessions where I wondered what book were other people reading during critiques. I'm glad I stuck with it. Perhaps it's a part of my "Taurus" nature - stubborn, determined and thick-skinned. Wanting to see a project through and make it into something special. Not only do I believe I've done just that, I also have left the door wide open for it become a series.

So what is "Lux ex Tenebris" about? It chronicles the lives of two men: "Cupid" - an African-American man born on Chicago's south side, who has suffered tremendous heartache at the early loss of his parents and is raised by his grandmother and grandfather, and Antonio "Tony Cupp" Cuppicciotti, Jr - an Italian-American man born in "Little Sicily" on Chicago's north side, who has long lived under the shadow of his celebrated father - Antonio Cuppicciotti, Sr. "Tony Senior" became a superstar in the Chicago Police Department due to his legendary take down of the Ferruccio Crime Family. "Cupid" (a nickname given to him by his mother after giving birth to him on Valentine's Day) and Tony Junior both do seemingly evil things, but Cupid serves as an anti-hero who struggles to find meaning in his life while Tony Junior was affected by a single moment from his childhood that puts him on a path of rancor and vitriol. Their lives parallel for most of the book until a chance occurrence brings them together. Can they put out the fire that burns within them and make a return to love? I guess you'll have to read the book and find out!

This became my masters thesis somewhere around a year and a half ago. I had another project in mind, but this book took up so much of my time that I thought it would make a great thesis. It really feels great being done with it, and my intention is to locate an agent who will hopefully land it with a traditional publisher. Why this, you ask? I believe not only could this book fare well in a larger marketplace, but I can also see a film project come out of this as well, in addition to a three or four book series. I will consider later projects for Another Shore Press, LLC, but this could be the one that gives me the exposure I'm looking for.

We'll see.

Sunday, October 30, 2011

Dave's Top Five Horror Films!

Since today is Halloween, I thought I'd have some fun and give you my top five favorite horror films of all time. First - some noticeable absences. THE EXORCIST? Love this film, but the idea of Satan inhabiting the body of a human being is more supernatural to me and less "organic horror". I prefer the classic match up between one good guy and one bad guy, both within the constraints of this world. THE SHINING? Classic! Masterpiece! Wonderful! One of my favorite films of all time! BUT this movie is a cinematic "all-you-can-eat" and to merely define it as horror would be a shame. A NIGHTMARE ON ELM STREET? The original is good, but by now the idea of a bad guy chasing teenagers was becoming old hat. FRIDAY THE 13TH? A clear Halloween rip off! And I've never been a Jason Voorhees fan. CANDYMAN? Hmmmm...interesting (especially since I was a UIC student when this was being filmed in Chicago). Maybe top 10 or 15, but definitely NOT top five! NIGHT OF THE LIVING DEAD? Like CANDYMAN, it narrowly missed this list.

So now that we've got that out of the way, I'm sure you'll disagree with a few of my choices, but take a look anyway. You might be surprised!

5. DIABOLIQUE


Scary 1955 French film with English subtitles. Black and white, which only adds to the creepiness. Great use of shadows and build-up of suspense.










4. PHANTASM


A cult classic directed by Don Coscarelli. Mike, Jody and Reggie go to battle against "The Tall Man", who steals corpses, puts "yellow blood" in them, crushes them down to dwarf-size and ships them to a hot, red planet and uses them as slaves. Make sense? No, but it's still a great film! And don't forget the "flying ball" that bores into people's heads!



3. PSYCHO


I am a Alfred Hitchcock nut! Psycho is just beautiful film making and story telling and served as a trendsetter for a score of horror films that came later. Perhaps what I love most about this movie is how the "spider" has set up a web to catch the "fly", but instead of waiting with the spider we instead follow the fly into the web. It was a very different way to tell a story. To this day I keep an eye out whenever I take a shower!

2. HALLOWEEN (1978)















It was VERY hard for me to put John Carpenter's cinematic masterpiece in second place. VERY hard. Michael Myers is the smoothest on-screen serial killer of all, with exception to one other person! (which I will reveal momentarily). Forget Jason, Freddy, Chucky and the rest. Mike is a bad boy! He always knows what angle to stand at to keep out of sight, when to turn up the speed and when the precise moment has arrived to step out the shadows and attack. There is no one better, except...

MY BOY DR. HANNIBAL LECTER!!!

1. THE SILENCE OF THE LAMBS


I've read the books. I've seen the movies. Sorry Mike! Love you, buddy - but even YOU have to take a back seat to Hannibal. Dashing, debonaire, worldly, has a flair for the finer things in life, brilliant and absolutely (as Martin Lawrence would say) CRAAAAAAAAZY! DERANGED! My favorite lines from this movie come when Lector is challenging Clarice Starling to think about what Buffalo Bill is after when he kills.

HANNIBAL LECTER: First principles, Clarice. Simplicity. Read Marcus Aurelius. Of each particular thing ask: what is it in itself? What is its nature? What does he do, this man you seek?

CLARICE STARLING: He kills women...

HANNIBAL LECTER: No. That is incidental. What is the first and principal thing he does? What needs does he serve by killing?

CLARICE STARLING: Anger, um, social acceptance, and, huh, sexual frustrations, sir...

HANNIBAL LECTER: No! He covets. That is his nature. And how do we begin to covet, Clarice? Do we seek out things to covet? Make an effort to answer now.

CLARICE STARLING: No. We just...

HANNIBAL LECTER: No. We begin by coveting what we see every day. Don't you feel eyes moving over your body, Clarice? And don't your eyes seek out the things you want?

SEE THIS SCENE!!!

-----------------------------

And there you have it! My top five of all time. Do you agree? Disagree? Let me hear from you!

"Balloons" by David T. Boyd on Zombie Coffee Press

Greetings to one and all. I'm proud to announce that my short story, titled "Balloons," has been selected for publication by Zombie Coffee Press, an online magazine, in their December 5th edition. Their website is www.zombiecoffeepress.com.

I will send a reminder notice as the date nears. Needless to say, I'm very excited and grateful for this opportunity.

Sincerely,
Dave

Monday, October 17, 2011

"The Thing" copies well, but still is an imitation.


As a fan of John Carpenter's films (I've seen all of them) the one thing that has always drawn me to them is his unique ability to manipulate our senses. Whether it's Snake Plissken (in "Escape from New York") looking for a fictitious president somewhere beneath the rat-infested Beacon Theater on Broadway or John Nada (in "They Live") wearing over-sized black glasses, walking among skinless martians from outer space or Laurie Strode (in "Halloween", still his best work) hiding from psychopaths in narrow closets, Carpenter's brilliance has always been his ability to place a thin, invisible overlay of dread and claustrophobia in a scene, then gradually thicken that dread with mounting tension that forces us to look even when we don't want to. I don't want to look, but I don't have a choice because I've figuratively been strapped to my seat, my eyes taped open as I'm being force-fed a healthy dose of terror. To me, his films are cinematic "castor-oil" where you're forced to take every spoonful, but feel better once it's over and are glad you were made to take it.

Hence we have "The Thing" 2011, a well-meant "imitation" of it's original that does some really cool things but falls short in the area that counted the most: Carpenter's spiraling sense of dread and fear that hits us from all sides. First of all, to the credit of the filmmakers, they truly did their homework - especially in the area of continuity. Given the fact that this is a prequel, not a remake or a sequel, everything that happens here must link directly to Carpenter's film. Therefore, from the design of the original space ship to the block of ice that contained the Thing itself to the Norwegian who shoots at the dog and even the frozen man who took his own life and is discovered later by Kurt Russell, this film pays attention to every detail and gives us clues along the way. It also provides an insight as to how the ship was originally discovered, who the people were in the videos and photos discovered by Kurt Russell and tells a believable, stand-alone story that is one-half of a total piece. After seeing the prequel in the theaters I came home and immediately watched the 1982 film and was shocked at how well these pieces fit. For that, I give director Matthijs van Heijningen Jr. and writers Eric Heisserer and Ronald D. Moore a LOT of credit. I also give them credit for discovering something that Carpenter never picked up on - the inability of the Thing to recreate inanimate objects. In other words, if I break my arm and have screws put in to hold the bone in place, then get devoured by the Thing, it cannot copy the screws. This concept becomes the lone source of tension that resonates through the film.

Beyond that, this movie is good, but not great. The special effects are cool, but there's something about seeing CGI versus Rob Bottin's organic prosthetics that took away from its intended result. Don't get me wrong - the various contortions of the Thing were every bit as disturbing as they were in Carpenter's film, but - not that I've ever seen a "thing" up close - it didn't appear as realistic, if that makes any sense. Carpenter is an expert on how to use space and it appeared the compound in the 1982 version had a lot more places for the Thing to hide. The original also had more scenes of isolation where someone wanders off alone, completely out of ear-shot, so when they returned to the larger group you were left wondering if they've been infected. That's missing from here. The transformation scenes come too soon and too fast to build any real suspense. A more slowed-down approach by the filmmakers would have made a world of difference here; but then again, that was what made John Carpenter such a genius. He understood the longer we didn't know what was going on, the greater the payoff when something eventually happened. Ironically, the filmmakers of this chapter failed to "copy" that aspect of Carpenter's vision, and in all honesty, the Master of Horror should have made this himself.

If you're a fan of Carpenter, I think you'll appreciate - as I did - the amount of thought that went into making this film. But also, if you're a fan of Carpenter, you'll understand exactly where I'm coming from in terms of my critique.

I give this movie 2.8 stars out of 4. See it, but save the money and get it on Blu-Ray.

Friday, September 16, 2011

Last Semester!

Well, this is it! I'm busy working my behind off at getting this semester done so I can graduate. Only one class this term, plus I'm doing a thesis tutorial with a former professor of mine. I took her class a few years ago and loved it - gothic literature. Definitely right up my alley, plus she's just published an original fiction piece herself and is having a book signing in October, so definitely someone I want to have mentor me.

Before I mentioned there were changes coming. Some of them have already started. So much more to come. Lux Ex Tenebris (my thesis project and soon to be published novel) is going to be the key to a lot of that change, but personally I'm ready to take some bold steps into directions never before explored. Finishing school will be the start of it. Trust me!

More later.

Wednesday, August 24, 2011

Mission Accomplished (Partly)

I cannot believe it's actually happened, but I have completed the re-release of Falling Down and Mystery, Malevolence & Murder: Volume One. Both books have now successfully been released through my own press, as of yesterday. For some reason it continues to defy belief that I started this process a few years ago with a simple thought, a simple spark of inspiration. Now it's grown into this huge thing that I've been blessed to witness firsthand. God has really been very good to me on a number of levels and I'm glad that I was wise enough to slow down and accept his blessing.

This was one of a few things on my short list that I'm marking down. The next challenge will be to complete my thesis and graduate from CCNY this coming December. I'm so busy getting Lux ex Tenebris ready for evaluation and will be meeting with a faculty advisor, who will serve as a mentor to me through this process. It's not over by a long shot; there will be a lot of long nights ahead of me, but I can do it. If I can get my publishing company off the ground, and do so where it doesn't break the bank, I can do just about anything.

In the upcoming months I have a few other projects I'm working on. I have another short story collection that I'm putting together. Lux will be released through Another Shore Press, LLC sometime late next year or early 2013. MM&M Volume Two was completed a year ago and will enter the copy editing stage shortly. The Falling Down film project is moving forward. Lots of great things coming, so I'm looking forward to posting them here.

Stick with me. There's a lot more to come.

Special Thanks: Rolf Wolff, David P. Schafer.

Saturday, July 9, 2011

Changes

This has been an interesting couple of months for me. My business has officially launched its first publications, I'm in the process of completing my master's degree and am making plans on my future. I have to admit, I'm both excited and nervous because I'm actually on the verge of really living my dream. I've always wanted to write while also being in full control of my destiny, which is really not an easy task. Every step I've taken over the last five and a half years has been carefully thought out, and to see it come so close to fruition is such a blessing. While I'm glad to be finishing at The City College of New York in December, I'm really going to miss it. A good portion of what I'm doing now originated from being in the MFA program and I really owe a lot to CCNY as well as my professors and classmates, some of whom I'm going to be working with professionally.

In terms of what happens after I graduate, I plan on hustling - getting out there and telling as many people as I can about me and the press and what I'm trying to accomplish with all of this. I also have this dream of making my hometown of Chicago proud by representing the city through my art. My inspiration, drive and determination all come from that "Windy City by the Lake", and so often Chicago is overlooked for being a hotbed of culture, art and music (which it has been for many years). I think with the innovations in technology and a growing movement of new and fresh independent artistry, the ability of writers to get their work published and in front of the reader is changing the entire publishing industry. Chicago has long had a thriving literary scene and the list of talented authors from the city is long, but now there's going to be an upswing because more people are able to more things on their own. That's going to be a wonderful thing to witness and I plan on being a part of it.

There are more changes coming, but I'll hold onto those for now. I don't want to give away too much too fast! :-)

Dave

Saturday, May 14, 2011

EBooks outsell Print!

January 27, 2011 3:06 PM PST
Amazon: Kindle books outselling paperbacks
by David Carnoy

Read more: http://news.cnet.com/8301-17938_105-20029839-1.html#ixzz1MMPzoeBy

Yes, it's finally happened. The digital book has overtaken the paper book on Amazon.com. And this time that isn't only true about hardcover books. Now we're talking paperbacks.

In reporting its latest earnings, Amazon said that it was selling more Kindle books than paperback books, though the score is still close. Since January 1, for every 100 paperback books Amazon sold, 115 Kindle books were sold. To top it off, the company says that since the beginning of the year it's sold three times as many Kindle books as hardcover books. Amazon noted that this data was from "across Amazon.com's entire U.S. book business and includes sales of books where there is no Kindle edition." It added that free Kindle books were excluded from the tally.

Yes, indeed, the sands are shifting.

While Amazon has said previously that Kindle e-book sales were outpacing hardcover sales, this is the first time it's said that Kindle books were outselling paperbacks, which typically cost significantly less than hardcovers. As usual, Amazon didn't report exact sales and would only say that it had sold "millions of third-generation Kindle devices."

Some reports suggest Amazon sold more than 8 million Kindles in 2010. Combine that with all the people buying the iPad, iPhone, and iPod Touch, as well as millions of Android-powered devices, and you can see how Amazon's digital book sales got a huge boost. (Amazon, like Barnes & Noble, offers its e-reading Kindle app across multiple platforms).

As for total numbers, all Amazon would say was that it currently has 810,000 books in the Kindle Store and that doesn't include the millions of free, out-of-copyright, pre-1923 books that are also available as e-books.

What's this mean? Well, it's not good news for brick-and-mortar bookstores. At the recently held Digital Book World conference, James McQuivey of Forrester Research presented some research findings before a CEO panel on Tuesday. He included the estimate that consumers spent about $1 billion on e-books in 2010 and that sales should reach at least $1.3 billion in 2011. McQuivey said that the consensus among those surveyed was that e-books would constitute half of all trade book units by 2014, and 53 percent said they expected print sales to decrease this year.

At least one guy, Mike Shatzkin, a conference organizer and head of the Idea Logical Company, said that within 10 to 12 years brick-and-mortar bookstores would "more or less disappear." However, some believe that the "downsizing" of brick-and-mortar superstores might actually bode well for independent bookstores, which in some ways are better equipped to tackle what may indeed become more of a niche business in the years to come.

Read more: http://news.cnet.com/8301-17938_105-20029839-1.html#ixzz1MMPsC8fb

May 19th

The re-release of Falling Down and Mystery, Malevolence & Murder Volume One is on May 19th. I'm very excited, especially since this is the first pair of releases from my literary press. The books will come out on eBook first. The paperback releases are TBA!

Good times are ahead, so stay tuned!

Dave

Saturday, March 26, 2011

What's going on?

Hey there! Sorry I've been off the radar for a while, but I've been so busy with school and working on my projects. Fear not! I'm still on the horizon, doing what I do best - hustle! I'm really excited about the possibilities that I see coming down the pike and I'm working toward a long future as a full time writer.

Very recently I attended a book signing event and discussion of Walter Mosley's new book, titled "When the Thrill is Gone." The book is the third installment by Mosley of the Leonid McGill series, and judging by the reviews and the reading he gave, it appears to be quite good. Mosley's ability to get inside the mind of his characters as they process what they see and feel makes reading his work such a delight. I've bought a lot of his books, most of which are still waiting for me to read (and I will, once I get through with this semester) so I look forward to learning all about McGill and what he's up to in this post-Obama society that we live in.

Another writer I love to read is Sara Paretsky. I love her V.I Warshawski books coupled with her rich descriptions of my hometown Chicago. In fact, Paretsky is SO good with her books that I've actually forgiven her for living on the South Side (White Sox Country) while being an unabashed Cubs fan. Sara! If you're reading this blog, I love your work, despite rooting for the North Side team!

I also attended the AWP Conference in Washington, DC this past February. I had a GREAT time and next year's event will be in Chicago. I will definitely be there hawking my books and talking to people, trying to get the word out.

It's my intention, as my new work gets ready for print, to push myself to become the very best I can be. I feel like my years here at The City College of New York have been so beneficial and have helped refine my work to the point where I've become a far better writer because of it. I think I can do anything I set my mind to, and I'm intent on making it on my own. I've chosen two incredible writers as mentors and have learned so much from their work and listening to them speak, but I'm well on my way to making a name and a style all my own. Someday I hope to be able to influence someone to do the same thing.

Who knows?